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Lyrics by John Hall. Commissioned by Earle Patriarco. First performance: November 1996, Vocal Arts Festival at The George Washington University: [More]
Lyrics by John Hall. Commissioned by Earle Patriarco. First performance: November 1996, Vocal Arts Festival at The George Washington University: Earle Patriarco, baritone; Kevin Murphy, piano 1. A learning experience over coffee… 2. You enter my thoughts 3. To speak of love 4. Unspoken thoughts at bedtime Collections are published Songbooks or books [more]
Collections are published Songbooks or books of compositions. The songs and arias are often found individually in Recordings as well as Compositions. One or more recordings have been made. Score is available from Schirmer/Hal Leonard or Bill Holab Music. Score(s) available from G. Schirmer/Hal Leonard.
Lyrics by John Hall. Commissioned by Brian Asawa. First performance: November 21, 1995 at Wigmore Hall, London; Brian Asawa, countertenor; [More]
Lyrics by John Hall. Commissioned by Brian Asawa. First performance: November 21, 1995 at Wigmore Hall, London; Brian Asawa, countertenor; Melvyn Tan, fortepiano 1. Countertenor’s Conundrum 2. The trouble with trebles in trousers … (Pitch can be a bitch!) 3. A Gift to Share Collections are published Songbooks or books of compositions. [more]
Collections are published Songbooks or books of compositions. The songs and arias are often found individually in Recordings as well as Compositions. One or more recordings have been made. Score is available from Schirmer/Hal Leonard or Bill Holab Music. Score(s) available from G. Schirmer/Hal Leonard.
Dedicated to Frederica von Stade. First performance: October 1995 at First Congregational Church in Berkeley: Frederica von Stade, mezzo-soprano; Jake [More]
Dedicated to Frederica von Stade. First performance: October 1995 at First Congregational Church in Berkeley: Frederica von Stade, mezzo-soprano; Jake Heggie, piano 1. Barb’ry Allen 2. He’s Gone Away 3. The Leather-Winged Bat Collections are published Songbooks or books of compositions. The songs and arias are often found individually in Recordings as well as [more]
Collections are published Songbooks or books of compositions. The songs and arias are often found individually in Recordings as well as Compositions. One or more recordings have been made. Score is available from Schirmer/Hal Leonard or Bill Holab Music. Score(s) available from G. Schirmer/Hal Leonard.
An A. E. Houseman poem set for Mezzo-Soprano and Piano. Collections are published Songbooks or books of compositions. The songs [More]
An A. E. Houseman poem set for Mezzo-Soprano and Piano. Collections are published Songbooks or books of compositions. The songs and arias are often found individually in Recordings as well as Compositions. One or more recordings have been made. Score is available from Schirmer/Hal Leonard or Bill Holab Music. Score(s) available from G. Schirmer/Hal Leonard.
Collections are published Songbooks or books of compositions. The songs and arias are often found individually in Recordings as well as Compositions. One or more recordings have been made. Score is available from Schirmer/Hal Leonard or Bill Holab Music. Score(s) available from G. Schirmer/Hal Leonard.
Three poems by Emily Dickinson. SATB chorus a cappella. First performance: November 1987 at Royce Hall, UCLA. UCLA a cappella [More]
Three poems by Emily Dickinson. SATB chorus a cappella. First performance: November 1987 at Royce Hall, UCLA. UCLA a cappella choir conducted by William Hatcher. 1. “Why do I love” You, Sir? 2. What if I say I shall not wait! 3. If you were coming in the fall* *The score for selection is [more]
Score is available from Schirmer/Hal Leonard or Bill Holab Music. Sheet Music, Scores, Parts and Performance Materials are available from billholabmusic.com. Score(s) available from G. Schirmer/Hal Leonard.
