Song for high soprano to poetry by Emily Dickinson. Commissioned by pianist Jerry Wong as an anniversary gift to his [More]
Song for high soprano to poetry by Emily Dickinson. Commissioned by pianist Jerry Wong as an anniversary gift to his wife, soprano Melissa Davis. First Performance TBA
Two poems by Emily Dickinson set for high soprano. Commissioned by Nightingale Opera Theatre for soprano Melissa Davis and pianist [More]
Two poems by Emily Dickinson set for high soprano. Commissioned by Nightingale Opera Theatre for soprano Melissa Davis and pianist Jerry Wong. First Performance TBA 1. The first Day’s Night had come 2. I heard a Fly buzz – when I died
Song cycle for mezzo-soprano and piano on new texts by Joyce DiDonato, Patti LuPone, Sister Helen Prejean, Ruth Bader Ginsburg [More]
Song cycle for mezzo-soprano and piano on new texts by Joyce DiDonato, Patti LuPone, Sister Helen Prejean, Ruth Bader Ginsburg and Kathleen Kelly. Commissioned for mezzo-soprano Jamie Barton by the Tucson Desert Song Festival. First Performance: May 10, 2021 at the Tucson Desert Song Festival. Jame Barton, mezzo soprano; Jake Heggie, piano 1. Order (DiDonato) [more]
A 25-minute song cycle for baritone and piano, also for baritone and orchestra. New poetry by Margaret Atwood. Commissioned for [More]
A 25-minute song cycle for baritone and piano, also for baritone and orchestra. New poetry by Margaret Atwood. Commissioned for baritone Joshua Hopkins by the Houston Grand Opera and Canada’s National Arts Centre. A 30-minute song cycle for baritone and piano, also for baritone and orchestra, featuring new poetry by Margaret Atwood. Commissioned for baritone [more]
A 40-minute song cycle for mezzo-soprano, solo violin, string quartet and youth solo violin. Texts by Gene Scheer based on [More]
A 40-minute song cycle for mezzo-soprano, solo violin, string quartet and youth solo violin. Texts by Gene Scheer based on stories about violins played by Jews in concentration camps during the Holocaust; inspired by James Grymes’ book Violins of Hope: Violins of the Holocaust – Instruments of Hope and Liberation in Mankind’s Darkest Hour (Harper [more]
Trois Chansons de Bilitis by Claude Debussy (1897); arranged by Jake Heggie for string quartet (2017) and for flute, harp [More]
Trois Chansons de Bilitis by Claude Debussy (1897); arranged by Jake Heggie for string quartet (2017) and for flute, harp and string quartet (2020). Debussy’s three iconic songs on the poetry of Pierre Louÿs arranged for Joyce DiDonato for recitals at Wigmore Hall (December 2017) and Carnegie Hall (April 2020). 1) La flûte de Pan [more]
One or more recordings have been made. Sheet Music, Scores, Parts and Performance Materials are available from billholabmusic.com.
A cycle of four songs for Soprano & Piano on texts by Emily Dickinson, Frederick Douglass, Martin Niemöller and Walt [More]
A cycle of four songs for Soprano & Piano on texts by Emily Dickinson, Frederick Douglass, Martin Niemöller and Walt Whitman. (Duration approx. 10 minutes) Commissioned by the Music Academy of the West with the generous support of Dody and Eric Small. Composed for soprano Hannah Kidwell and pianist Christina Giuca, winners of the 2017 [more]
Four songs for Mezzo-Soprano and Piano. Original texts by Gene Scheer, inspired by iconic objects in the Smithsonian with a [More]
Four songs for Mezzo-Soprano and Piano. Original texts by Gene Scheer, inspired by iconic objects in the Smithsonian with a particular connection to a former First Lady of the United States. Commissioned by Vocal Arts DC to celebrate its 25th Anniversary Season with generous support from the Shamos Family Foundation, Yolanda C Oertel, MD, and [more]
For mezzo-soprano, cello and piano; also for mezzo-soprano, cello and orchestra (duration approximately 18 minutes). Three symphonic songs based on [More]
For mezzo-soprano, cello and piano; also for mezzo-soprano, cello and orchestra (duration approximately 18 minutes). Three symphonic songs based on poetry by the late Laura Morefield (1961-2011), commissioned for mezzo-soprano Jamie Barton and cellist Anne Martindale Williams by Carnegie Hall and the Pittsburgh Symphony. First performance: Feb 17, 2015 by Jamie Barton, Anne Martindale Williams [more]
Compositions
