Compositions
Tarantella for solo cello commissioned by the Primavera Project for cellist Matt Haimovitz. First Performance TBA.
Full Circle 50 is a trio in four movements for flute, cello and piano commissioned to celebrate flutist Carol Wincenc’s Golden Anniversary year of performing. Generously underwritten by Elizabeth King, the work received its premiere on Nov 12, 2019 at the Morgan Library in New York City with flutist Carol Wincenc, cellist Brook Speltz and [more]
For mezzo-soprano, cello and piano; also for mezzo-soprano, cello and orchestra (duration approximately 18 minutes). Three symphonic songs based on poetry by the late Laura Morefield (1961-2011), commissioned for mezzo-soprano Jamie Barton and cellist Anne Martindale Williams by Carnegie Hall and the Pittsburgh Symphony. First performance: Feb 17, 2015 by Jamie Barton, Anne Martindale Williams [more]
Opera in Two Acts based on the stories of two Holocaust survivors: Krystyna Zywulska and Gad Beck. (Duration: each act is approx. 45 minutes in length) Heggie & Scheer explored these stories in three previous one-act stage works (Another Sunrise; Farewell, Auschwitz; and For A Look or a Touch) and combined them into a full-evening [more]
One or more recordings have been made. Rental Sheet Music, Scores, Parts and Performance Materials are available from billholabmusic.com.
Libretto by Gene Scheer. For baritone, men’s chorus, actor, flute, clarinet, violin, cello, piano and percussion. Originally commissioned by Music of Remembrance, this second incarnation was commissioned by the Seattle Men’s Chorus and The Boston Gay Men’s Chorus. First performance: April 2, 2011 at McCaw Hall, Seattle, with baritone Morgan Smith, actor David Pichette, Seattle [more]
One or more recordings have been made. Sheet Music, Scores, Parts and Performance Materials are available from billholabmusic.com. Rental Sheet Music, Scores, Parts and Performance Materials are available from billholabmusic.com.
Poetry by Galway Kinnell; for soprano, cello and piano; composed for soprano Lisa Delan and premiered May 19, 2013 at the Noe Valley Chamber Music 20th Anniversary Gala concert, St Mark’s Church, San Francisco. 1. You Scream 2. In A Restaurant 3. My Father’s Eyes 4. Back You Go One or more recordings have been [more]
One or more recordings have been made. Sheet Music, Scores, Parts and Performance Materials are available from billholabmusic.com.
Song Cycle for Baritone and Piano, or Baritone and Chamber Ensemble Texts by Gene Scheer. For baritone and piano, or baritone with flute, clarinet, violin, cello, piano. Originally commissioned by Music of Remembrance as a stage work, the song cycle version was created in 2013. First Performance: May 18, 2013 at Benaroya Hall, Seattle, with [more]
Sheet Music, Scores, Parts and Performance Materials are available from billholabmusic.com.
For soprano, mezzo-soprano, baritone and piano, or with clarinet, violin, cello, bass, piano. Gene Scheer’s lyrics are free translations of lyrics created by Krystyna Zywulska while she was imprisoned at Auschwitz-Birkenau. Commissioned by Music of Remembrance (Mina Miller, Artistic Director) with support from Jonathan Green and Brenda Berry, Lloyd and Janet Cluff, John and Bernice [more]
One or more recordings have been made.
Dramatic 30-minute scene for soprano and chamber ensemble (clarinet, violin, cello, bass, piano) with libretto by Gene Scheer, based on the life and work of Holocaust survivor Krystyna Zywulska. Commissioned by Music of Remembrance (Mina Miller, artistic director) and premiered May 14, 2012 at Nordstrom Recital Hall in Benaroya Hall, Seattle. Soprano Caitlin Lynch with [more]
One or more recordings have been made. Score could be available through Schirmer/Hal Leonard or for rental/purchase at Bill Holab. Rental Sheet Music, Scores, Parts and Performance Materials are available from billholabmusic.com.
For Men’s Chorus and piano, or with flute, clarinet, violin, cello, piano. Text by Gene Scheer. This chorus was added to For a Look or a Touch when the original stage work was expanded for the Seattle Men’s Chorus in 2011. It has also been set as a solo song for baritone and piano, or [more]
One or more recordings have been made. Sheet Music, Scores, Parts and Performance Materials are available from billholabmusic.com.